studiogogl.blogg.se - Liveprofessor 2 latency

#Liveprofessor 2 latency drivers#
#Liveprofessor 2 latency pro#
#Liveprofessor 2 latency software#
#Liveprofessor 2 latency Pc#
#Liveprofessor 2 latency professional#

Receiver audio goes into the DAW software, get's eq'd and comes out that way, too. I've even removed the regular mic cables from the rig! And not just for transmit audio. Flex needs to support the ASIO standard for moving audio, damn it!Īt this point I've completely abandoned my normal analog connections to the Flex for both transmit and receive audio. The VAC connection still exhibits some latency, but it's acceptable.

#Liveprofessor 2 latency software#

I've got the entire station setup to move audio into and out of the Flex and through the DAW software (Liveprofessor) at 96KHz via Virtual Audio Cable. This is a far cry from the regular windows sound drivers.

#Liveprofessor 2 latency drivers#

The ASIO drivers exhibit almost no latency so when I monitor myself I hear no delay.

#Liveprofessor 2 latency pro#

It's a pretty basic unit, 2 channels in and out, but it runs at the pro standard of 96KHz/24 bits using ASIO drivers. With this baby I can use my Behringer microphone, or any pro mic for that matter, dynamic or condenser. I bought a Behringer UMC202 pro audio interface for the shack. As of last weekend I took my digital audio setup to the next level. I had been messing with this using a crappy Microsoft USB headset.

#Liveprofessor 2 latency Pc#

I've got the equivalent of 50 grand worth of studio gear inside my PC and it's all freeware Mixers, meters, analyzers, gates, equalizers, compressors, limiters, exciters, the sky is the limit.

#Liveprofessor 2 latency professional#

If not, then imagine entire racks worth of professional audio processing equipment living inside your PC. If you are into pro audio you know exactly what I'm talking about. As a result I started fooling with digital audio workstation (DAW) software a few weeks ago. towards the left or middle of the histogram), it indicates that the latency setting for the receiver is set high enough to prevent packet loss.I've been associating too long with the a "bad crowd", the ESSB guys that hang out in the Extra parts of 40 and 80M. If all bars are green and falling well within the limit of the histogram (i.e.

The number of measurements taken that included one or more Late packets (note that each measurement typically includes many packets).

The Average latency since measuring started.

The Peak latency since measuring started.

Ultimo devices, for example, support a minimum latency of 2ms, so subscriptions to Ultimo devices will use a minimum of 2ms latency. it can't guarantee delivery within the required latency), Dante will increase the latency to the lowest setting supported by the transmitter.

If a transmitter does not support the latency set on the receiver (i.e.

Multicast flows are automatically set to a minimum of 1ms.

However, for some subscriptions, Dante will automatically apply a different latency. In most cases, this will be the same as the latency setting on the receiver.

The latency Setting for the histogram.

The following information is also displayed: If the receiver is set to a latency other than 1ms, two histograms will be displayed. This is because multicast flows always use a latency of 1ms. Note: If any subscriptions are via multicast flows, there may be two histograms displayed for one transmitter: one histogram for the unicast flows, and one for multicast. To save the histogram as a png image, click Save. Measurements are taken at roughly 1 second intervals, from when Dante Controller is started.

The vertical axis shows the number of measurements recorded at each data point, on a logarithmic scale. The horizontal axis shows the distribution of audio packet latency measurements from the transmitter. The transmitter's name is displayed at the top of the histogram, along with the latency value against which the histogram is reporting. Devices that could potentially have their latency reduced (if required generally, the default Dante latency of 1ms is more than adequate for low-latency applications).Devices that are at risk of dropping packets because their latency is set too low.Devices that are dropping packets because their latency is set too low.Setting device latency too high, however, can interfere with low-latency applications (for example, real-time monitoring when recording vocals), so it is sometimes important to find a balance between low latency and guaranteed audio integrity. Packet loss results in audio glitches, so it is very important to ensure that all receivers have their latency set high enough to prevent packet loss. it will throw packets away, because they are 'late to the party'). When this happens, the receiver will drop packets (i.e. If a receiver's latency setting is too low, audio packets will not have time to get from the transmitter to the receiver before they are supposed to be played out. Latency is used to account for the delay between an audio packet leaving the transmitter, traversing the network (potentially through multiple switches) and reaching the receiver. You can check your device type in the Device Info tab. Newer Brooklyn II, Broadway, HC, PCIe and Ultimo devices support latency monitoring in Dante Controller.